IBEX Masters - The World’s Rarest Masterpieces

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Realism

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Movement

The World’s Rarest Masterpieces

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is a cultural movement;
artistic mastery through
modern patronage

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We offer time, freedom, management and meaningful support. We are built on stories that shape creation and pass these forward through the IBEX Apprenticeship Program.

Through both IBEX Masterpieces and IBEX Master-Giclées; IBEX brings fine art into the world not merely as objects of ownership, but as gateways to a refined lifestyle and cultural experience.

The path
to greatness

Mastery is passed down — from master to disciple. The Apprenticeship Program nurtures artistic growth through mentorship, professional courses, and generational skill transfer. Fostering new talent is the foundation for tomorrow’s Masters.

From obsession to expression

Meet Vlad Yashin — our first Apprentice. 24.
A grounded prodigy with a taste for controversy.
Soft, instinctive, adventurous and nonconformist.

“My paintings explore the darkest corners of human experience.”

Painting where silence speaks

At 24, he left Russia to avoid conscription and persecution for his art. He embodies the intention of the IBEX Apprenticeship Program: to support young artists who will one day become their own masters.

“As a refugee, I have seen the raw truth, the reality of human suffering, and my work in hyperrealism aims to reflect that.”

Mentorship, made real. Legacy with a conversation.

What happens when vision meets experience—when a rising talent steps into the quiet force of mastery?

Old Masters – New Masters

IBEX bridges Old Masters and New Masters—where tradition meets innovation, beyond the IBEX Apprenticeship Program.

Paintings woven from myth

A series of five hyperrealist paintings by Philipp Weber

The Guardians’ Series - The Story

Composed, precise and quietly commanding. These are not passive figures. They watch, hold, and protect.

Skuld, Norn of what’s to come. At the base of her scar glows the Seed; both destruction and renewal. Cloaked in red, Verdandi embodies the pulse of the present. The starburst scar radiates like the Sun: life, creation, light. Future and present meet. Renewal waits beneath the surface.

The Norns don’t predict the future. They shape it.

The blood is warm against my skin. I taste it in the air, feel it in the earth. I walk between the dead and the living — untouched. To know one’s fate is to know no fear. Blót is the moment when fear falls away, and only truth remains.

Three sisters;
Urd. Verdandi. Skuld.
Past. Present. Future.

Sentinel is the grand centerpiece.  Urd, Verdandi, and Skuld command the canvas — real, mystical, and timeless. Sacred waters surge down upon them — the force that feeds the tree of life and keeps the universe in motion. Sentinel becomes a mirror, confronting the viewer with a glimpse of their own unfolding fate.

Urd and Verdandi move in an eternal dance where light and dark hold each other in fragile balance. Fate and time breathe in sync.  In a vivid azure void, a silent pact forms — a Symbiosis binding past and present.

Skuld doesn’t accept the future; she shapes it. As Norn, she decides who transcends and who falls. Sacred waters thunder downward. Her wings spread wide. She is Protector. Creator. Warrior. True strength lies not in waiting for the moment — but in creating it.

In the vivid azure void;
the Sentinel watches; they weave.

Each figure carries a quiet force, standing at the edge of myth and modernity.

Philipp Weber

Germany

Gabriel Picart

Spain

Dino Valls

Spain

Arantzazu Martinez

Spain

Marco Grassi

Italy

Sergio Martinez

Spain

Emmanuele Dascanio

Italy

Martin Llamedo

Argentina

Alexander Timofeev

Russia

Ibex Masterpieces

Hiatus (70 x 120 cm)

Dino Valls, Spain

Las Ratas (180 x 200 cm)

Sergio Martinez, Spain

Bless 3 (160 x 120 cm)

Philipp Weber, Germany

From here (30 x 20 cm)

Arantzazu Matinez, Spain

One side wing (182 x 227 cm)

Shimamura, Japan

Samsara (181 x 227 cm)

Hae Kwang Yang, South Korea

Portrait of desire (200 x 356 cm)

Sergio Martinez, Spain

Monologue (200 x 200 cm)

Alexander Timofeev, Russia

The Nightmare (180 x 270 cm)

Gabriel Picart, Spain

Back into the unlimited (250 x 130 cm)

Arantzazu Martinez, Spain

The Nature of The Universe (250 x 250 cm)

Emanuele Dascanio, Italy

The Banquet (200 x 200 cm)

Martin Llamedo, Argentina

Freedom Reborn (230 x 300 cm)

Arantzazu Martinez, Spain

Captivity (70 x 80 cm)

Marco Grassi, Italy

Absolute trust (230 x 130 cm)

Arantzazu Martinez, Spain

Temptation (200 x 200 cm)

Alexander Timofeev, Russia

Liber Fulguralis (241 x 247 cm)

Dino Valls, Spain

Beyond ownership

“IBEX envisions a future where artistic mastery is not lost to time or trend, but nourished and passed on through patronage, education, preservation and
a refined cultural lifestyle.”

Stephanie Debels

General Manager

“IBEX ensures that IBEX Masters and IBEX Masterpieces will always have a place and a purpose through Sustainable Patronage - join the movement.”

Albrecht von Stetten

Founder & CEO

For collectors

Interested in acquiring an Masterpiece or Master-Giclées? Connect with our ambassadors for tailored guidance.

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For patrons

Looking to support or invest in the future of artistic mastery? Explore meaningful ways to invest in mentorship, and long-view cultural impact.

INVEST IN LEGACY